November 18, 1999:

I am playing pinball with Fiona Apple at a restuarant she has taken me to.  I step up to the machine (the Terminator 2 pinball game) and instantly it is
awash in multiball, with 20 small fiery balls bouncing through the board.  I can’t even look at anything, as I’m forced to stare very, very closely at the flippers.  I think I’m doing a very good job of keeping the balls in play.  When the last ball is gone, I look over at the launcher and the
path is clogged with tickets that say “T2 Multiball” It seems to be some cross between pinball and skittleball, but the tickets have wound up being fed inside the machine.

“Hey, look at that,” I say to Fiona Apple.

Fiona Apple looks in and shakes her head.   “This machine,” she says.  And then reaches over and turns it off with a key.  “I hate fixing this thing.”

“Hey...”

“This is my family’s restaurant.  Didn’t I tell you?”

Later, we have sat down at a table with her family and she is passing out pieces of a large calzone to everyone while talking about growing up.  “Everything was great until my dad left and my mom remarried.  And that’s when I learned what it means to have a monster in the house.”

A young girl takes a piece of calzone from Fiona Apple.  “He was awful.”

I look down at the calzone.  No one has told me what is in it so I’m not eating.  “So what did you do?”

“The only way to fight a monster is to become a monster.”

Suddenly a fact of her past becomes clear to me.  She had made money back in
high school doing design work for video games.  And her breakout character work on Dark Stalkers was all about transforming monsters who battle each other.  “That makes sense,” I say.